"...magnificent performer in the figure of Mario Prisuelos, whose good taste in execution and the expressiveness with which he plays Adalid's pieces is indisputable"

Emilio Lacarcel

Opera World

 

"...always possessing an enormous dramatic, expressive and colorful force"

music lover magazine

 

“… the third album by the Madrid pianist is an abundance of sensitivity and technical ingenuity, as well as an example of musicological rigor.”

Benjamin G. Rosado

EL MUNDO newspaper

 

“…the careful technique and precise articulation, along with an expressive yet restrained interpretation, bring out those connections between music and soul that the nineteenth-century artists themselves saw in Chopin's music. […] Prisuelos, imbued with the romantic aesthetic that these works transmit, makes the pieces of Adalid himself his own, projecting his great piano personality onto the keyboard. The final result, an incredible metaphor between music and poetry, which emerges from that elegance and intimacy that Prisuelos exhibits on this album and that transports us to the Spanish salons of the 19th century.

Eduardo Chavarri

Classic World Magazine

 

“…a fine, sensitive pianist who seeks the truth and turns his back on the apparatus…”

Jose Luis Garcia del Busto

Musicologist / Member of the Royal Academy of Fine Arts of San Fernando.

 

“…with his great temperament, Mario Prisuelos conquered the hearts of the public”.

Ingo Bathow

Frankische Landeszeitung

Germany

 

"Melancholic clarity, fine sensitivity and the distinguished pulse that the works require are here evoked through the interpretation of Mario Prisuelos from Madrid"

Guillaume J. Alfonso

(Wagnerian Association of Spain)

 

"...transparency, articulate fingering and technical mastery"

opus music